![]() It is alleged that Spears requested that the bank manage her estate rather than her father. Spears is shown working consistently throughout her conservatorship. Spears's relationship with Sam Lutfi, who then identified himself as her new manager, is speculated in the film to be a turning point for her father to first negotiate a conservatorship and is described as "attaching himself to celebrities, often at vulnerable moments for them." The film explains that conservatorships are put in place for people who are unable to make their own decisions or are mentally incapacitated. Intrusive actions of the paparazzi are portrayed as exacerbating factors in her condition. "She never gave a clue or information to us that, I don't appreciate you guys, leave me the eff alone," Ramos says, to which the director asks, "What about when she said, 'Leave me alone'?" It is alleged that Spears may have been suffering from postpartum depression at this time. The documentary also explores Spears's breakdown in 2007, and interviews paparazzo Daniel "Dano" Ramos who photographed Spears attacking his car with an umbrella moments after ex-husband Kevin Federline denied her visitation of her children. The film alleges that Timberlake weaponized his breakup with Spears in the " Cry Me a River" music video, where the song's unfaithful girlfriend was portrayed as Spears, and in an interview where he enthusiastically claims he has had sex with her (contrary to Spears's claim that she was waiting until marriage). Ivo Niehe, then 53, asked a 17-year-old Spears about her breasts and her thoughts about breast implants, adding, "You seem to get furious when a talkshow host comes up with this subject." In an interview following Spears's breakup with Justin Timberlake, Diane Sawyer accused her of mistreating Timberlake, driving Spears to tears, and of "upsetting a lot of mothers in this country" with her provocative music videos. Interviewers and paparazzi are shown at various times asking Spears sexist and distressing questions. "The only thing Jamie ever said to me was 'My daughter's gonna be so rich, she's gonna buy me a boat '", Kaiman says. Former Jive Records marketing executive Kim Kaiman, who helped cultivate Spears's image once she signed a recording contract, describes Jamie as being disconnected from his daughter's life and highly financially motivated. In 2021, at age 39, Britney Spears, one of the world's most successful pop stars with an estimated net worth of $59 million, has remained legally under the control of her father Jamie Spears since 2008.įraming Britney Spears re-examines Spears's career, her rise to fame, and personal struggles throughout her three decades in show business. The documentary won the TCA Award for Outstanding Achievement in News and Information, and received two nominations at the 73rd Primetime Creative Arts Emmy Awards, including for Outstanding Documentary or Nonfiction Special. The documentary garnered critical acclaim, and widespread international media coverage, contributing to heightened mainstream public awareness of the conservatorship dispute and a reassessment of Spears' sexist & gratuitous treatment. Shortly after the documentary aired, a probate judge dismissed objections by Jamie regarding the co-conservatorship arrangement. The documentary was released on Februas an edition of The New York Times Presents on FX and FX on Hulu. ![]() ![]() ![]() The documentary follows the life and career of American singer Britney Spears her rise to fame as a global music superstar at age 16, her gratuitous and misogynistic treatment by the media and paparazzi, her highly publicized breakdown in 2007, the conservatorship that during 2008–2021 placed her involuntarily under the control of her father Jamie Spears, and the #FreeBritney movement sparked by Spears's fanbase. The New York Times Presents: Framing Britney Spears is a 2021 American documentary film directed by Samantha Stark, reported and produced by Liz Day, and produced by Liz Hodes, Mary Robertson, Jason Stallman, Sam Dolnick, Ken Druckerman and Stephanie Preiss.
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